The Caldwell Journals
- Chapter One: Kid from Clearfield
- Chapter Two: George A. Scott
- Chapter Three: Leaving the Nest
- Chapter Four : The Minor Leagues
- Chapter Five : The Kid from Brooklyn
- Chapter Six: Breaking Away
- Chapter Seven: Boll Weevil
- Chapter Eight: A Tale of Two Black Cities
- Chapter Nine: Harlem
- Chapter Ten: Harlem II
- Chapter Eleven: Harlem III
- Chapter Twelve: Get Back Here Now!
- Chapter Thirteen: Malcolm X
- Chapter Fourteen: White Reporters Out!
- Chapter Fifteen: Watts
- Chapter Sixteen: The Grandassa Models
- Chapter Seventeen: Thirteen Months
- Chapter Eighteen: Bradlee Snared Maynard
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Essays
- Getting My Foot in the Door by Gerald Fraser
- A personal essay on the Media, the Civil Rights Movement and the Aftermath by Austin Scott
- A Graduate Looks Back by Tom Johnson
- I Was Going to Be a Timesman by Ted Jones
-
Biographies
- Earl Caldwell
- Gerald Fraser
- Tom Johnson
- Ted Jones
- Austin Scott
Nearly 40 years ago, a young black man took a job at his hometown daily newspaper in rural Pennsylvania. It was a rare occurrence for that generation.
Earl Caldwell, then 22 years old, could not grasp the significance of that event, nor could he forecast the tempestuous decades that would sweep him and hundreds of other journalists of color into the thunderous fold of civil rights history.
Caldwell covered that history for eight newspapers over 35 years with a distinction rare in his profession. But he also made a portion of it. He was an extraordinary witness to events at the moment of Martin Luther King Jr.'s assassination. His struggle against the federal government's attempts to appropriate his confidential notes and to force him to spy on the Black Panther party, which he was covering for The New York Times, reached the Supreme Court.
Caldwell's story is intertwined with those of all the pioneers who courageously broke the color barrier in America's newspapers to capture the true inside story of the 1960s. Robert C. Maynard, who also held his first mainstream news job in a nearby Pennsylvania town, began a lifelong friendship with Caldwell and joined him in the great adventure of covering the decade that telescoped a century.
The Maynard Institute for Journalism Education is proud to present the Caldwell Journals, a serialized account of those stormy years. This series captures the dramatic tale of the journalist behind the words, the journalist as player. Collaborating with Caldwell was Leroy F. Aarons, MIJE board member and a visiting professor of journalism at the Annenberg School at the University of Southern California, as the line editor of the narrative. Caldwell and Aarons shared a journalistic history that dates back to the mid-1960s, when Caldwell was at The New York Times and Aarons, The Washington Post.
The Caldwell Journals constitutes the first phase of the Maynard IJE History Project, an ambitious undertaking of the Maynard Institute. It is headed by Dori J. Maynard, MIJE president and daughter of the late Robert C. Maynard.
Launching the project, Maynard Institute President Steve Montiel said, "The experiences of journalists of color are part of the untold history of a news revolution. Their stories are important to all of us – from young people whose textbooks tell little about the integration of newsrooms to veteran professionals and executives who are struggling to provide coverage that enables us to see ourselves and our diverse communities whole."
While preparing this series, Earl Caldwell was writer in residence at MIJE's national office in Oakland, Calif.
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Come join Sally Lehrman, a professor and journalist who writes regularly on race, gender and identity issues and Maynard Institute President Dori J. Maynard as we talk about the best and worst of media coverage and diversity. Add comments and give us your thoughts.
BLACK HISTORY MONTH
The Maynard Institute gears up for its coming celebration of Black History Month
Based on the late Robert C. Maynard's belief that the five fault lines of race, class, gender, generation and geography are the most enduring forces shaping lives, experiences and social tensions in this country, the Maynard Institute's Fault Lines framework helps journalists build a more diverse source list, have more voices in stories and determine which fault lines are at work in complex issues.
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Black History Month and Beyond documents and preserves the stories of those courageous African American journalists who broke into general circulation media during the turbulent 1960s and 1970s. [more...]








